Uniforms

Note to those prac­tic­ing Taido out­side the USA: American Taido stu­dents typ­i­cally wear stan­dard karategi for Taido practice.

I started prac­tic­ing Taido in 1984, when I was seven years old. For those of you who don’t remem­ber, the 80s in America were all about flash, and the mar­tial arts were no excep­tion. I remem­ber look­ing through mar­tial arts mag­a­zines as a kid and see­ing guys in American flag satin gi (the word “uni­form” hardly applies), pink and black tiger-stripe gi, and all kinds of crazy pat­terns with patches for just about every­thing all over them. At one point, Century was even mar­ket­ing “rugged” stone-washed gi that looked as if they’d ought to have been worn by the likes of Motley Crue.

You may laugh at the idea of see­ing a karate school full of hair band rejects, but it’s not such a silly deal. In all seri­ous­ness, one could eas­ily say the tra­di­tional white paja­mas are just as silly in this day and age. Especially here in the West.

Just look at the stan­dard uni­form — the whole deal is made out of heavy white cloth that is rough on the skin and doesn’t breathe very well. In an envi­ron­ment that includes rolling around on dirty floors as well as loads of sweat and occa­sional blood, white is the worst of all pos­si­ble col­ors, and cot­ton is not the best choice of fab­ric. The pants are cut from what appears to be a one-size-fits-some pat­tern with a draw­string that cuts into your mid­sec­tion and bunches around the crotch. The jacket is secured with flimsy ties that fre­quently break off, beg­ging the ques­tion of why they are included in the first place. But if the belt is tied tight enough to keep the jacket closed, it becomes dif­fi­cult to move the arms and shoul­ders to any rea­son­able range.

On the plus side, the jacket looks suf­fi­ciently Japanesey to remind us of our samu­rai her­itage (that’s funny — samu­rai her­itage). It also makes it eas­ier to see what color belt some­one is wear­ing, which we all know is the most impor­tant part of prac­tice. The cot­ton can­vas mate­r­ial usu­ally doesn’t rip unless you do grap­pling (in which case you should be wear­ing an even heav­ier and less com­fort­able Judo top), except for the knees which will rip fre­quently no mat­ter what you do.

Of course, I’m not try­ing to imply that there are no good karate uni­forms out there. There are some very good ones (Tech Taido orders ours from kamikaze). It’s just that most of the good ones cost a lot of money. This makes them out of reach for any­one other than instruc­tors who will be spend­ing a con­sid­er­able quan­tity of time in them.

Of course in coun­tries where stu­dents pay only a small asso­ci­a­tion fee for instruc­tion, the approx­i­mately $160 for a Taidogi is no prob­lem. However, the Atlanta honbu dojo is the only place I am aware of that offers stu­dents the oppor­tu­nity to prac­tice six days a week in a purpose-built facil­ity with pro­fes­sional teach­ing staff. This costs money in the form of tuition. Not to men­tion that stu­dents prac­tic­ing sev­eral days a week often like to have more than one uni­form. This makes the karategi (cost­ing less than a third the price of a Taidogi) a lot more attrac­tive — to new stu­dents especially.

I belong to an inter­na­tional affil­i­a­tion of mar­tial arts heretics that makes a habit of ques­tion­ing just about any tra­di­tion or trend in the mar­tial arts we encounter, and it has been sug­gested by sev­eral of our mem­bers that uni­forms are wholly unnec­es­sary for prac­tice. This is very true, as the tech­niques do not require a uni­form in their exe­cu­tion. Especially if said uni­forms are uncom­fort­able or expensive.

However, in a dojo set­ting, it is easy to see uses for uni­form­ing from a pedagogical/organizational point of view — they help to estab­lish group iden­tity, remind us where we are and what we ought to be doing while we are there, and estab­lish a stan­dard. These are nice things to have in a class envi­ron­ment. Besides all that, as silly as it sounds, punch­ing and kick­ing around in a uni­form some­how looks and feels more legit­i­mate than doing so in street clothes.

Living in Japan, if I prac­tice with­out a uni­form, I often have peo­ple com­ing up to me and ask­ing if I am a kick boxer, which I hap­pen to find quite annoy­ing because then I have to explain to them that I prac­tice Taido (since they can usu­ally tell that it’s not karate). And since they’ve prob­a­bly never heard of Taido, this means that I have to try to explain it to them, lest they assume it’s an American import. This includes the brief his­tory and writ­ing out the kanji and mak­ing com­par­isons to judo and karate, and takes too much time to bother with. As a result, I make a point never to work­out in pub­lic unless I am wear­ing my Taidogi, com­plete with hakama (so they can tell it’s not sup­posed to be karate) and kanji (so I don’t have to reach in my bag for a pen). I’ve also found that it’s eas­ier if I pre­tend that I can’t speak Japanese.

This brings us to the Taido uni­form, as worn every­where out­side the US. It’s a big improve­ment over the stan­dard karate uni­form by a long shot. The jacket is woven and strong. It’s also slightly off-white, so it doesn’t show dirt and sweat quite so badly. One thing that isn’t so easy to see at first glance is that the front is cut com­pletely dif­fer­ently, with the “flaps” hang­ing almost straight down and over­lap­ping only a few inches. This makes the top much eas­ier to tuck into the hakama. The hakama serve the pur­pose of keep­ing the top in place and hold­ing every­thing together at the waist. They do this with­out bunch­ing at the waist or crotch. The pleated design also allows for greater flex­i­bil­ity in the legs and less bind­ing when kick­ing. However, the pants are quite a bit nar­rower than aiki or iai hakama to pre­vent trip­ping dur­ing unsoku and acro­batic moves. The choice of black is nice because the pants will end up get­ting dirty, and this doesn’t show on black pants. Not only that, but black looks good and bal­ances well with the off-white top.

Drawbacks to the Taidogi are as fol­lows: they cost more than twice as much to make as a medium-quality karategi; they can only be pur­chased from one man­u­fac­turer in Tokyo (and I think in Finland too), which means that ship­ping costs become a major fac­tor as well; and the hakama neces­si­tates a light­weight fab­ric that doesn’t hold up well to a lot of ground­work — in fact, you often see DIY patch-jobs on the hakama worn here in Japan. Practicing any grap­pling at all in hakama can be a very expen­sive propo­si­tion. These fac­tors make the Taidogi less prac­ti­cal for us in the States than karategi, but any­one who has prac­ticed in one for more than a few ses­sions will tell you that they are far more com­fort­able for Taido practice.

So what can we do? Well, I’ve got some ideas, but no solu­tions. Ideally, I would like to find a cus­tom man­u­fac­turer to pro­duce Taidogi in the US with a slightly stur­dier hakama that includes rein­forced knees, a zip-fly hid­den in the front pleats (a must for instruc­tors who are in uni­form for sev­eral hours at a time), a microfiber lin­ing in the jacket to wick away sweat (which should be stan­dard on all uni­forms any­way), and snaps instead of flimsy ties. The big prob­lem here is that doing this would be expen­sive, and ask­ing stu­dents to pay two-hundred dol­lars for a uni­form is unrea­son­able. Without a large stan­dard order, get­ting the prices even that low would be difficult.

Secondly (and I know a lot of folks will hate this idea), I’ve looked at ditch­ing the “mar­tial arts uni­form” look for some­thing dis­tinctly west­ern and mod­ern. Something very much like a track suit. It would have to be made sturdy and flex­i­ble, but could be imple­mented with­out a lot of changes to any exist­ing design. The major require­ments would be slightly short­ened sleeves and legs and no dan­gling zipper-pulls or other potentially-hazardous metal­lic pieces. This uni­form would be rel­a­tively inex­pen­sive and com­fort­able. Underneath the jacket, stu­dents could even wear high-performance sports clothes such as under­ar­mor. The only real prob­lems is that we find our­selves again look­ing like we are prac­tic­ing some kind of mod­ern dance with odd punch­ing and kick­ing movements.

There are good points to not look­ing too martial-artsy though. For one, the Japanese-style uni­form is only tra­di­tional in Japan. I am an American, and “tra­di­tional” to me means jeans or khakis, a t-shirt, jacket, and sneak­ers (I’ll address the issue of shoes at a later date). Modern style clothes fit bet­ter and feel like the clothes we wear every­day. Another pos­i­tive is that there is no place to put a belt. To me, this is a beau­ti­ful thing.

7 Responses to Uniforms
  1. G

    My son prac­tices Taido at the Atlanta honbu. In fact, you were his instruc­tor 2 years ago at sum­mer camp. I would love to get a Taidogi for him and was won­der­ing if I could make arrange­ments through you to pur­chase one. Also, I have a very good friend who is a seam­stress and cos­tume designer. I’d love to get the two of you together when you get back to the states. If noth­ing else, we may be able to come up with a sewing pat­tern, with sug­gested fab­rics so peo­ple who wanted to make their own, or have their taidogi made would have a less expen­sive option than import­ing them from Japan.

  2. andy

    My son prac­tices Taido at the Atlanta honbu. In fact, you were his instruc­tor 2 years ago at sum­mer camp.

    per­haps 3 years ago, but not 2. my last sum­mer camp was 2003. i’m happy to hear that i didn’t make him want toquit taido…

    I would love to get a Taidogi for him and was won­der­ing if I could make arrange­ments through you to pur­chase one.

    i don’t think this is going to hap­pen. i would love to help, but there are a few rea­sons that i won’t in this instance. firstly, it’s a pain — not so much for myself, but for the girl at my dojo who has to take time out of her prac­tice to order a uni­form for some­one she doesn’t know.

    sec­ondly, since about four years ago, uchida sen­sei has been mak­ing a very obvi­ous shift in his uni­form­ing prac­tices, adopt­ing a mix-and-match style for instruc­tors and a more grappling-friendly top for stu­dents. i’m not even sure if he wants any­one wear­ing the japan­ese dogi aside from black belts instruc­tors. i think it would be best to ask sen­sei if you want to get one.

    thirdly, i only get to be involved in the han­dling of uni­forms for my own stu­dents — those at tech. i made an arrange­ment years ago to find my own uni­form sup­plier for them because i didn’t like the ones at the honbu at that time. since the uni­form at tech is my deci­sion, i don’t mind order­ing a japan­ese dogi for stu­dents there, but i would con­sider it out-of-jurisdiction to order one for a honbu student.

    and finally, if i get one for you, i have to get one for every­one. i have turned down lots of email inquiries about taidogi for the same rea­sons i men­tion here.

    all that said, if you were to get together a group of sev­eral stu­dents who wanted to pay for taidogi, ship­ping, and pain-in-the-ass fee, you could pos­si­bly con­vince me. the caveat is that you would also have to get uchida sen­sei to agree to this — i would need to see some note from him that i wouldn’t be infring­ing on his uni­form­ing poli­cies. if you can do that within the next month or so, i will get together a uni­form order.

    about your seam­stress friend — that sounds great. of course, there again, we would need the pres­i­den­tial seal before we could under­take such a project. in the past, we have done such, and my father may still have an old, child-size hakama pat­tern somewhere.

    how­ever, many peo­ple also still have a bad taste in their mouths from when sen­sei ordered a large num­ber of hakama from a local seam­stress a few years ago. every­one paid about $80, and nobody got uni­forms. we would need to have some assur­ance of trust­wor­thi­ness and qual­ity before mak­ing another such order would be feasible.

    so any­way, sorry i can’t help you get the uni­form for your son. i just don’t think it would be the right thing to do, as things are now. how­ever, it would be great to dicuss pos­si­bil­i­ties for design­ing a pat­tern when i return stateside.

  3. G

    That’s fine. I under­stand. I wasn’t plan­ning on him wear­ing the taidogi at the honbu with­out Uchida Sensei’s approval, I was more inter­ested in him hav­ing a “tra­di­tional” (I know you love that word) gi for per­sonal use. Anyway, I cer­tainly under­stand your deci­sion. And yes, it was sum­mer camp 2003. John Edgar really enjoyed learn­ing from you, and his ded­i­ca­tion to Taido increased sig­nif­i­cantly after that camp.

  4. andy

    thanks for understanding.

    “tra­di­tional” (I know you love that word)

    very per­cep­tive. actu­ally, i have no prob­lem with tra­di­tions that serve some pur­pose. my major issue with the notion of tra­di­tion in the mar­tial arts is that most of them are by-products of japan­ese impe­ri­al­ism that were incor­po­rated into mar­tial arts by way of kano’s for­mal­iza­tion of judo and the spread of the jka through the japan­ese uni­ver­sity sys­tem. these tra­di­tions sti­fle indi­vid­u­al­ism and enforce a dom­i­nance hier­ar­chy. gen­uine tra­di­tions such as work­ing hard and ask­ing ques­tions get over­shad­owed by “impor­tant” details such as the order in which stu­dents line up. i think we need less arbi­trary karate tra­di­tion in our taido practice.

    cul­tural tra­di­tions, such as japan­ese kimono, russ­ian folk dance, or amer­i­can mon­day night foot­ball have social pur­poses. these are the tra­di­tions i think we need to spend our time observ­ing and studying.

    John Edgar really enjoyed learn­ing from you, and his ded­i­ca­tion to Taido increased sig­nif­i­cantly after that camp.

    i appre­ci­ate you say­ing that, though i wouldn’t claim i had any­thing to do with his increased ded­i­ca­tion. i do remem­ber putting a lot of effort in at that camp because i knew it would be my last one for a while (i moved to japan four days later). taido is a won­der­fully fun thing to spend one’s time study­ing and prac­tic­ing — sum­mer camps really drive that home because they are intense. i’ve had sim­i­lar expe­ri­ences to what you describe with your son after all 17 of the sum­mer camps i attended.

  5. Ken Rogers

    I, too, believe I under­stand your feel­ings about tra­di­tion, espe­cially when it comes to the uni­forms. I used to be a mar­tial arts prac­ti­tioner, and even stud­ied Taido for a cou­ple of months until my knees gave out under a sadis­tic instruc­tor (another type of mar­tial arts tra­di­tion, but a story for another time).

    However, as imprac­ti­cal and uncom­fort­able as it is, a “tra­di­tional” uni­form always per­formed another func­tion for me. It set my time in the dojo/studio/whatevertheartcalledit apart from my time in the real world. When the uni­form went on, whether as a stu­dent or instruc­tor, my frame of mind changed, my focus became sharper. After the class, tak­ing the uni­form off then fold­ing it in the tra­di­tional way (well, try­ing to, any­way), treat­ing the uni­form with respect, actu­ally helped heighten the mar­tial arts expe­ri­ence for me. One thing the uni­form never did was rob me of any sense of individuality.

    As an instruc­tor, I exper­i­mented with other types of cloth­ing for classes; how­ever, I always came back to the gi. If noth­ing else, the uni­form always seemed to help the stu­dents take the class more seri­ously. I sup­pose it may also have helped me take mar­tial arts more seri­ously, too.

  6. andy

    sadis­tic? in taido? no, no, no! ok, yeah. but he’s mel­lowed since then. and now taido is “fam­ily friendly”! glad you found the site, kenny.

    any­way, i totally agree with your com­ments, which is why i use uni­forms, and why i require my stu­dents at tech to use them. it’s also why i found my own uni­form man­u­fac­turer, as opposed to reselling the ones used at the honbu. i think qual­ity uni­forms have util­ity for classes, so they will always be a part of any “for­mal” mar­tial arts pro­gram i lead.

    how­ever, i’m not sold on the notion that the uni­form has to be a japan­ese dogi. i see no rea­son that stu­dents need to swish about in imi­ta­tion samu­rai out­fits, bark­ing pid­gin japan­ese, and call­ing each other by titles they don’t under­stand. to me the karate gi is a part of mar­tial arts tra­di­tion that is arbi­trary and tied in with a lot of other “cul­tural bag­gage” that doesn’t serve any prac­ti­cal pur­pose. if the cur­rent uni­forms were prac­ti­cal, it would be one thing, but they are not.

    i think that being part of an inter­na­tional mar­tial art com­mu­nity has a lot to offer stu­dents, but i don’t believe that being in a “tra­di­tional japan­ese” mar­tial arts class will give any­one any appre­cia­ble cul­tural ben­e­fits aside from those which they cre­ate for them­selves. in that respect, i dis­like the cur­rent uni­forms as they seem to trade on some notion that we are try­ing to learn about japan­ese cul­ture, when in fact, it is only a bas­tardized, strip-mall ver­sion of that cul­ture. i think most peo­ple have very spe­cific rea­sons for prac­tic­ing mar­tial arts, and any social/cultural ben­e­fits are usu­ally con­sid­ered icing.

    per­haps i’m being cyn­i­cal and harsh this morn­ing. at any rate, prac­ti­cal, com­fort­able uni­forms would be very use­ful to a mar­tial arts pro­gram, and i hope to one day find some.

  7. andy

    and by the way, i am still hold­ing out for that american-flag-pattern, satin gi someday.

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