Using Incremental Progression

This entry is part 3 of 11 in the series Drilling for Jissen

The Problem with Traditional Kobo

The usual style of train­ing kobo is based on the idea that “if he does that, you respond by doing this.” It ingrains pat­terns that may not always be to best response to a par­tic­u­lar sit­u­a­tion. The first thing we need to do to make kobo a use­ful method of train­ing is to scrap the idea that we are train­ing pat­terns to use in jissen.

The actual com­bi­na­tions of tech­niques in kobo have lit­tle value in them­selves. The rea­son for this is pretty straight­for­ward — there are an infi­nite num­ber of pos­si­ble attack per­mu­ta­tions in jis­sen, because Taido tech­niques are made to be adapt­able. This makes it impos­si­ble to learn defen­sive pat­terns for each pos­si­ble attack. Sure, there are a few “high-percentage” moves, but they are still vir­tu­ally unlim­ited in their exe­cu­tion because of the use of unsoku/unshin and rengi.

Again, pat­terns are of very lim­ited util­ity. If defen­sive pat­terns worked, nobody would ever score with manjigeri.

Why Manjigeri Still Scores Points

Manjigeri is a very com­mon attack in jis­sen. So what’s the most com­mon prac­tice seen for jis­sen all over the world? Hienzuki over man­jigeri. This is uni­ver­sal at every club I’ve ever vis­ited. The logic appears to be that since manji is so com­mon, every­one will be bet­ter off if they know how to deal with it.

The prob­lem is that peo­ple still man­age to score with man­jigeri all the time in jis­sen. Only rel­a­tively low-skilled play­ers will ever throw the kind of manji that invites their tar­get to jump over their heads and safely strike. There are fairly obvi­ous ways to thwart this defense and score any­way. Yet, we con­tinue to teach stu­dents that they should jump instinc­tively when they see manji.

Apparently, there is more to manji than is accounted for by the jump-algorithm. This is equally true for every other set of attack/defense kobo tech­niques I have ever seen prac­ticed in Taido. For that mat­ter, it’s just as true for all the one-and two-step spar­ring drills I’ve seen in karate, all the pat­tern drills in judo, and every sin­gle appli­ca­tion in every self-defense book or course on the planet. Algorithms only work some­times, and that makes them ped­a­gog­i­cally insufficient.

A better concept

Jumping toward the head when some­one attacks by manji is only one exam­ple of not being where the kick is headed. You can accom­plish the same goal by sev­eral other meth­ods with­out remov­ing your­self from counter-range. Each one should be explored in an organic pro­gres­sion, but not mem­o­rized or drilled to the point of reflex-development.

The exist­ing kobo rou­tines in Taido do have some value to them. They show us that every attack has inher­ent weak­nesses. They also teach us that it’s bet­ter to avoid by mov­ing the body than it is to retreat. These are impor­tant things for stu­dents to grasp, and I think kobo are won­der­ful train­ing tools for these two reasons.

But there is a third rea­son for prac­tic­ing kobo that takes them beyond “won­der­ful train­ing tool” and straight into “incred­i­bly pow­er­ful prac­tice method” territory.

How to make great-tasting jissen

The most impor­tant thing to get out of kobo is the process. Kobo is a process of grad­u­ally build­ing up to jis­sen, or com­bat. This buildup has to be incre­men­tal. Why? Because your emo­tional arousal will scald your per­for­mance if you don’t increase your tol­er­ance to stress by adding heat and pres­sure slowly.

Learning to fight is stress­ful. Most peo­ple don’t have a nat­ural knack for deal­ing with con­flict. Building this knack slowly and surely is the best way to learn jissen.

When most peo­ple start learn­ing jis­sen, they are told to just dive in and try. This isn’t all that bad, since they are typ­i­cally div­ing in against an under­stand­ing and friendly part­ner who will go easy on them. However, we all have anx­i­ety about the pos­si­bil­ity of get­ting hit. We also have anx­i­ety about doing new things when we are unsure of our skills. Unless addressed, this anx­i­ety stays with us.

Even after we have “got­ten used to” the idea of spar­ring, our accu­mu­lated anx­i­ety inter­feres with our abil­i­ties to respond appro­pri­ately to our oppo­nents’ moves. Even before we have been mov­ing long enough to be “winded,” we find that our hearts are pump­ing like crazy, and we are tak­ing giant gulps of air. This is stress arousal caused by anx­i­ety, and unless we deal with it intel­li­gently in prac­tice, we con­di­tion our­selves to trig­ger this response every time we do jissen.

Using Baby Steps

This is the rea­son to build grad­u­ally from kobo to jis­sen. If we start out know­ing what to expect and how to respond, we don’t feel any anx­i­ety. As we gain pro­fi­ciency, we can slowly begin to add vari­ables such as speed and power, dif­fer­ent unsoku pat­terns, pos­si­ble counter attacks, et cetera. The impor­tant thing to remem­ber is to add only one vari­able at a time. This keeps the change man­age­able and pre­vents the anx­ious feel­ing of not know­ing what’s coming.

Of course, most of us didn’t learn this way. And how many of us are great at jis­sen? It’s pos­si­ble to learn in the tra­di­tional man­ner and get good at jis­sen. But it’s far more com­mon to get mediocre and stay that way. Better train­ing meth­ods lead to bet­ter results. Incremental pro­gres­sion is a bet­ter way to learn jissen.

When we keep mak­ing things just a lit­tle harder each time, we even­tu­ally get to the point that we are impro­vis­ing responses to com­plex sig­nals at high speeds. If we have built up in an incre­men­tal fash­ion, this will not cause sig­nif­i­cantly more anx­i­ety than mov­ing slowly through a pre­de­ter­mined rou­tine. Your mus­cles don’t tense, your teeth don’t clinch, and your breath­ing remains even. Your low level of emo­tional arousal allows you to observe and respond to things as they hap­pen, and time appears to slow.

That’s magic. Imagine walk­ing on to the court for a jis­sen match know­ing that, what­ever sur­prises your oppo­nent has in store for you, you can remain calm and han­dle them. This is the edge that guys like Kaneko have on the rest of us. This is also why most of us can do so much bet­ter in prac­tice than we can in com­pe­ti­tion. Less anxiety.

By prac­tic­ing kobo as a method of incre­men­tal increase of com­bat vari­ables, we can pro­gram our­selves to respond to jis­sen with a much lower level of emo­tional arousal, which gives us the abil­ity to use the skills we have prac­ticed in the most effi­cient man­ner possible.

Take a look at your own kobo/jissen prac­tice and see if you can find some of your anx­i­ety trig­gers — the things that make you “lose it” and make your per­for­mance go down the drain. Then you can step back to a sim­i­lar drill that allows you to remain at a com­fort­able level of arousal. By design­ing intel­li­gent drill pro­gres­sions, you can depro­gram years of built-up anx­i­ety trig­gers in a few hours. Really. It just takes step­ping back and rebuild­ing gradually.

Series NavigationA Working Definition of KoboNotes on Working Drills for Jissen

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